[ Pobierz całość w formacie PDF ]
.Iowa City: University of IowaPress, 1998.Burns, Gail E., and Melinda Kanner. Women, Danger, and Death: ThePerversion of The Female Principle in Stephen King s Fiction. SexualPolitics and Popular Culture, edited by Diane Raymond, 158 172.Bowling Green, OH: Bowling Green State University Popular Press,1990.Clover, Carol J.Men, Women, and Chain Saws: Gender and the Modern HorrorFilm.Princeton, NJ: Princeton University Press, 1992.Collings, Michael R.The Annotated Guide to Stephen King: A Primary andSecondary Bibliography of the Works of America s Premier Horror Writer.Mercer Island, WA: Starmont House, 1986. .The Many Facets of Stephen King.Mercer Island, WA: StarmontHouse, 1985.217 218 Bibliography .The Stephen King Phenomenon.Mercer Island, WA: Starmont, 1987.Connor, Jeff.Stephen King Goes to Hollywood.New York: New AmericanLibrary, 1987.Davis, Jonathan P.Stephen King s America.Bowling Green, OH: BowlingGreen State University Popular Press, 1994.Edmundson, Mark.Nightmare on Main Street: Angels, Sadomasochism, and theCulture of Gothic.Cambridge, MA: Harvard University Press, 1997.Egan, James. Antidetection: Gothic and Detective Conventions in the Fictionof Stephen King. Clues 5, no.1 (Spring Summer 1984): 131 146. . Sacral Parody in the Fiction of Stephen King. Journal of PopularCulture 23, no.3 (Winter 1989): 125 141.Findley, Mary. Stephen King s Vintage Ghost-Cars. In Spectral America:Phantoms and the National Imagination, edited by Jeffrey AndrewWeinstock, 207 220.Madison, WI: Popular Press, 2004.Gallagher, Bernard J. Breaking Up Isn t Hard to Do: Stephen King,Christopher Lasch, and Psychic Fragmentation. Journal of AmericanCulture 10 (Winter 1987): 59 67.Gray, Paul. Master of Postliterate Prose, Time (August 30, 1982): 87.Hanson, Clare. Stephen King: Powers of Horror. In American HorrorFiction: From Brockden Brown to Stephen King, edited by Brian Docherty,135 154.New York: St.Martin s Press, 1990.Heller, Terry.The Delights of Horror: An Aesthetics of the Tale of Terror.Urbana:University of Illinois Press, 1987.Herron, Don, ed.Reign of Fear: Fiction and Film of Stephen King.Columbia,PA: Underwood-Miller, 1988. . Stephen King: The Good, the Bad, and the Academic. In Kingdomof Fear: The World of Stephen King, edited by Tim Underwood andChuck Miller, 129 157.New York: New American Library, 1986.Hohne, Karen A. The Power of the Spoken Word in the Works of StephenKing. Journal of Popular Culture 28, no.2 (Fall 1994): 93 103.Hoppenstand, Gary, and Ray B.Browne, eds.The Gothic World of StephenKing: Landscape of Nightmares.Bowling Green, OH: Bowling GreenState University Popular Press, 1994.Indick, Ben P. King and the Literary Tradition of Horror and theSupernatural. In Fear Itself: The Horror Fiction of Stephen King, editedby Tim Underwood and Chuck Miller, 171 185.San Francisco:Underwood-Miller, 1982.Kanfer, Stefan. King of Horror. Cover story.Time (October 6, 1986):74 78, 80, 83. Bibliography 219Keesey, Douglas. The Face of Mr.Flip : Homophobia in the Horror ofStephen King. In The Dark Descent: Essays Defining Stephen King sHorrorscape, edited by Tony Magistrale, 187 201.Westport, CT:Greenwood Press, 1992.King, Stephen.Stephen King s Danse Macabre.New York: Everest House, 1981.Lant, Kathleen Margaret. The Rape of Constant Reader: Stephen King sConstruction of the Female Reader and Violation of the FemaleBody in Misery. Journal of Popular Culture 30, no.4 (Spring 1997):89 114.Lant, Kathleen Margaret and Theresa Thompson, eds.Imagining the Worst:Stephen King and the Representation of Women.Westport, CT:Greenwood Press, 1998.Madden, Edward. Cars Are Girls: Sexual Power and Sexual Panic inChristine. In Imagining the Worst: Stephen King and the Representation ofWomen, edited by Kathleen Margaret Lant and Theresa Thompson,143 158.Westport, CT: Greenwood Press, 1998.Magistrale, Tony.Hollywood s Stephen King.New York: Palgrave Macmillan,2003. .Landscape of Fear: Stephen King s American Gothic.Bowling Green,OH: Bowling Green State University Popular Press, 1988. , ed.The Dark Descent: Essays Defining Stephen King s Horrorscape.Westport, CT: Greenwood, 1992. , ed. The Shining Reader.Mercer Island, WA: Starmont House, 1991. .Stephen King: The Second Decade, Danse Macabre to The Dark Half. New York: Twayne, 1992.Magistrale, Tony and Michael A.Morrison, eds.A Dark Night s Dreaming:Contemporary American Horror Fiction.Columbia: University of SouthCarolina Press, 1996.Nash, Jesse W. Postmodern Gothic: Stephen King s Pet Sematary. Journalof Popular Culture 30, no.4 (Spring 1997): 151 160.Norden, Eric. Playboy Interview: Stephen King. Playboy (July 1983).Oakes, David A.Science and Destabilization in the American Gothic.Westport,CT: Greenwood Press, 2000.Porteau, Chris. The Individual and Society: Narrative Structure andThematic Unity in Stephen King s Rage. Journal of Popular Culture 21,no.1 (Summer 1993): 171 178.Punter, David. Laws of Recollection and Reconstruction: Stephen King. InGothic Pathologies: The Text, the Body, and the Law.London: Macmillan,1998. 220 BibliographyReino, Joseph.Stephen King: The First Decade, Carrie to Pet Sematary. Boston: Twayne, 1988.Russell, Sharon A., ed.Stephen King: A Critical Companion.Westport, CT:Greenwood Press, 1996.Schroeder, Natalie. Stephen King s Misery: Freudian Sexual Symbolism andthe Battle of the Sexes. Journal of Popular Culture 30, no.2 (Fall 1996):137 148.Schweitzer, Darrell, ed.Discovering Stephen King.Mercer Island, WA:Starmont House, 1985.Spignesi, Stephen.The Complete Stephen King Encyclopedia: The DefinitiveGuide to the Works of America s Master of Horror.Chicago:Contemporary Books, 1991.Smith, Greg. The Literary Equivalent of a Big Mac and Fries?: Academics,Moralists, and the Stephen King Phenomenon. Midwest Quarterly 43,no [ Pobierz całość w formacie PDF ]
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.Iowa City: University of IowaPress, 1998.Burns, Gail E., and Melinda Kanner. Women, Danger, and Death: ThePerversion of The Female Principle in Stephen King s Fiction. SexualPolitics and Popular Culture, edited by Diane Raymond, 158 172.Bowling Green, OH: Bowling Green State University Popular Press,1990.Clover, Carol J.Men, Women, and Chain Saws: Gender and the Modern HorrorFilm.Princeton, NJ: Princeton University Press, 1992.Collings, Michael R.The Annotated Guide to Stephen King: A Primary andSecondary Bibliography of the Works of America s Premier Horror Writer.Mercer Island, WA: Starmont House, 1986. .The Many Facets of Stephen King.Mercer Island, WA: StarmontHouse, 1985.217 218 Bibliography .The Stephen King Phenomenon.Mercer Island, WA: Starmont, 1987.Connor, Jeff.Stephen King Goes to Hollywood.New York: New AmericanLibrary, 1987.Davis, Jonathan P.Stephen King s America.Bowling Green, OH: BowlingGreen State University Popular Press, 1994.Edmundson, Mark.Nightmare on Main Street: Angels, Sadomasochism, and theCulture of Gothic.Cambridge, MA: Harvard University Press, 1997.Egan, James. Antidetection: Gothic and Detective Conventions in the Fictionof Stephen King. Clues 5, no.1 (Spring Summer 1984): 131 146. . Sacral Parody in the Fiction of Stephen King. Journal of PopularCulture 23, no.3 (Winter 1989): 125 141.Findley, Mary. Stephen King s Vintage Ghost-Cars. In Spectral America:Phantoms and the National Imagination, edited by Jeffrey AndrewWeinstock, 207 220.Madison, WI: Popular Press, 2004.Gallagher, Bernard J. Breaking Up Isn t Hard to Do: Stephen King,Christopher Lasch, and Psychic Fragmentation. Journal of AmericanCulture 10 (Winter 1987): 59 67.Gray, Paul. Master of Postliterate Prose, Time (August 30, 1982): 87.Hanson, Clare. Stephen King: Powers of Horror. In American HorrorFiction: From Brockden Brown to Stephen King, edited by Brian Docherty,135 154.New York: St.Martin s Press, 1990.Heller, Terry.The Delights of Horror: An Aesthetics of the Tale of Terror.Urbana:University of Illinois Press, 1987.Herron, Don, ed.Reign of Fear: Fiction and Film of Stephen King.Columbia,PA: Underwood-Miller, 1988. . Stephen King: The Good, the Bad, and the Academic. In Kingdomof Fear: The World of Stephen King, edited by Tim Underwood andChuck Miller, 129 157.New York: New American Library, 1986.Hohne, Karen A. The Power of the Spoken Word in the Works of StephenKing. Journal of Popular Culture 28, no.2 (Fall 1994): 93 103.Hoppenstand, Gary, and Ray B.Browne, eds.The Gothic World of StephenKing: Landscape of Nightmares.Bowling Green, OH: Bowling GreenState University Popular Press, 1994.Indick, Ben P. King and the Literary Tradition of Horror and theSupernatural. In Fear Itself: The Horror Fiction of Stephen King, editedby Tim Underwood and Chuck Miller, 171 185.San Francisco:Underwood-Miller, 1982.Kanfer, Stefan. King of Horror. Cover story.Time (October 6, 1986):74 78, 80, 83. Bibliography 219Keesey, Douglas. The Face of Mr.Flip : Homophobia in the Horror ofStephen King. In The Dark Descent: Essays Defining Stephen King sHorrorscape, edited by Tony Magistrale, 187 201.Westport, CT:Greenwood Press, 1992.King, Stephen.Stephen King s Danse Macabre.New York: Everest House, 1981.Lant, Kathleen Margaret. The Rape of Constant Reader: Stephen King sConstruction of the Female Reader and Violation of the FemaleBody in Misery. Journal of Popular Culture 30, no.4 (Spring 1997):89 114.Lant, Kathleen Margaret and Theresa Thompson, eds.Imagining the Worst:Stephen King and the Representation of Women.Westport, CT:Greenwood Press, 1998.Madden, Edward. Cars Are Girls: Sexual Power and Sexual Panic inChristine. In Imagining the Worst: Stephen King and the Representation ofWomen, edited by Kathleen Margaret Lant and Theresa Thompson,143 158.Westport, CT: Greenwood Press, 1998.Magistrale, Tony.Hollywood s Stephen King.New York: Palgrave Macmillan,2003. .Landscape of Fear: Stephen King s American Gothic.Bowling Green,OH: Bowling Green State University Popular Press, 1988. , ed.The Dark Descent: Essays Defining Stephen King s Horrorscape.Westport, CT: Greenwood, 1992. , ed. The Shining Reader.Mercer Island, WA: Starmont House, 1991. .Stephen King: The Second Decade, Danse Macabre to The Dark Half. New York: Twayne, 1992.Magistrale, Tony and Michael A.Morrison, eds.A Dark Night s Dreaming:Contemporary American Horror Fiction.Columbia: University of SouthCarolina Press, 1996.Nash, Jesse W. Postmodern Gothic: Stephen King s Pet Sematary. Journalof Popular Culture 30, no.4 (Spring 1997): 151 160.Norden, Eric. Playboy Interview: Stephen King. Playboy (July 1983).Oakes, David A.Science and Destabilization in the American Gothic.Westport,CT: Greenwood Press, 2000.Porteau, Chris. The Individual and Society: Narrative Structure andThematic Unity in Stephen King s Rage. Journal of Popular Culture 21,no.1 (Summer 1993): 171 178.Punter, David. Laws of Recollection and Reconstruction: Stephen King. InGothic Pathologies: The Text, the Body, and the Law.London: Macmillan,1998. 220 BibliographyReino, Joseph.Stephen King: The First Decade, Carrie to Pet Sematary. Boston: Twayne, 1988.Russell, Sharon A., ed.Stephen King: A Critical Companion.Westport, CT:Greenwood Press, 1996.Schroeder, Natalie. Stephen King s Misery: Freudian Sexual Symbolism andthe Battle of the Sexes. Journal of Popular Culture 30, no.2 (Fall 1996):137 148.Schweitzer, Darrell, ed.Discovering Stephen King.Mercer Island, WA:Starmont House, 1985.Spignesi, Stephen.The Complete Stephen King Encyclopedia: The DefinitiveGuide to the Works of America s Master of Horror.Chicago:Contemporary Books, 1991.Smith, Greg. The Literary Equivalent of a Big Mac and Fries?: Academics,Moralists, and the Stephen King Phenomenon. Midwest Quarterly 43,no [ Pobierz całość w formacie PDF ]